Brahms
Societies, Museums and
Scholars
Brahms Societies:
Österreichische
Johannes Brahms-Gesellschaft
Johannes
Brahms-Gesellschaft Baden-Baden e. V.
Johannes
Brahms-Gesellschaft Internationale Vereinigung e. V (Hamburg)
Japan Brahms Association
Contact Information forthcoming
Brahms-Gesamtausgabe Musik-Institut
Universität Kiel
Olshausenstrasse 40, 24118 Kiel, Germany
Brahms-Gesellschaft
Schleswig-Holstein
Johannes Brahms-Gesellschaft Schweiz
Postfach 70, CH-3645 Gwatt, Switzerland
Johannes Brahms-Gesellschaft
Wiesbaden-Rheingau e.V.
Brahms Museums:
Brahms-Museum im Kammerhof Museum der
Stadt Gmunden, Austria
Brahms
in Gmunden, Austria
(for general, local information)
Brahms
Museum, Mürzzuschlag am Semmering, Austria
Brahms Museum, Pörtschach, Austria
Brahms-Saal
der Musikverein, Vienna, Austria
Haydn-Gedenkstätte
mit Brahms-Gedenkraum, Vienna, Austria
Brahms-Museum in
Hamburg, Germany
and
More
news on the Brahms-Museum in Hamburg
Brahms
Institut, Luebeck, Germany
This site is part of the Musikhochschule Luebeck.
Brahms Scholars and Selected Work:
Carol Padgham Albrecht
o Paper presented at 1997 Annual Meeting of the Pacific Northwest Chapter meeting of the American Musicological Society: "Progress and Nostalgia in the Horn Trios of Herzogenberg, Reinecke, and Brahms."
Styra Avins
o "Performing Brahms's Music: Clues from His Letters." In "Performing Brahms". Edited by Bernard D. Sherman and Michael Musgrave. Cambridge University Press, forthcoming.
o "Johannes Brahms: Life and Letters." Oxford University Press, 1997.
o "The Rise and Fall of Brahms The German". Journal of Musicological Research 10 (2001).
o "Brahms's Choral Music." In "The Cambridge Companion to Brahms". Edited by Michael Musgrave. Cambridge: Cambridge University Press, 1999.
o "Brahms's Motet 'Es ist das Heil uns kommen her, op. 29, no. 1' and the "Fundamental Essence of Music.'" In Brahms Studies 2. Edited by David Brodbeck. Lincoln: University of Nebraska Press, 1998.
o "How deutsch a Requiem? Absolute Music, Universality, and the Viennese Reception of Brahms's Ein deutsches Requiem, Op. 45". 19th Century Music 22 (1998).
o "The Great 'Warum?': Job, Christ, and Bach in a Brahms Motet." 19th Century Music 19 (1996).
o "Reconsidering the Identity of an Orchestral Sketch by Brahms." Journal of Musicology 13 (1995).
o Paper presented at the 2001 conference in Boston: "Brahms: Perspectives of Performance": "Performing Culture in the Obbligato Lied: Brahms's 'Two Songs for Alto and Viola, op. 91'."
o Paper presented at the 2000 Meeting of the New England Chapter of the American Musicological Society: "Was Brahms a Jew? Anti-Semitism and Brahms Reception c. 1880-1945."
o Paper presented at the 1997 conference in Boston: "Brahms the Contemporary: Perspectives on Two Centuries": "Apocolypse (Now?): Politics and Religion in the Sacred Music of Johannes Brahms."
o Link here for an index of Beller-McKenna's papers and publications.
Mark Evan Bonds
o Paper presented at 1995 Annual Meeting of the American Musicological Society: "Contexts of Allusion in the Nineteenth Century: The Case of Brahms's First Symphony."
o "Fanny Davies and Brahms's Late Chamber Music." In "Performing Brahms". Edited by Bernard D. Sherman and Michael Musgrave. Cambridge University Press, forthcoming.
o "Brahms's Posthumous Compositions and Arrangements: Editorial Problems and Questions of Authenticity." In "Brahms 2: Biographical, Documentary and Analytical Studies". Edited by Michael Musgrave. Cambridge University Press, 1997.
o Paper presented at the 1996 Pacific Northwest Chapter of the American Musicological Society: "The Brahms-Keller Correspondence."
o "Brahms's Chamber Music." In "The Cambridge Companion to Brahms". Edited by Michael Musgrave. Cambridge University Press, 1999.
o "In Search of Brahms's First Symphony: Steinbach, the Meinigen Tradition, and the Recordings of Hermann Abendroth." In "Performing Brahms". Edited by Bernard D. Sherman and Michael Musgrave. Cambridge University Press, forthcoming.
Andrea Massimo Grassi
o Paper read at the Terzo convegno annuale della Societa italiana di musicologia, Florence, Italy, 20-22 September, 1996: "La trasmissione del testo delle opere brahmsiane: Alcuni percorsi della volonta d'Autore."
o Paper presented at the 2002 New York/St. Lawrence Chapter of the American Musicological Society: "On Goethe, Love, and Duty: Gender Politics in Brahms's Rinaldo."
o Paper presented at the 1997 International Brahms Congress, Nottingham, UK: "Problems of Reception and Scholarship: Critical Responses to Rinalo, Op. 50."
o Article on "Johannes Brahms Rinaldo, Op. 50 - Engraver's Copy of the Full Score." Library of Congress Essay for the Moldenhauer Archives.
o Paper presented at the 1996 Pacific Northwest Chapter of the American Musicological Society: "Symbolic Melodic Gesturing in Brahms's Rinaldo."
Peter Kiesewetter
o
Brahms (Translated by Richard Sterling)
"The difficulty with Johannes Brahms' greatness is that he was not a
revolutionary like Wagner, but rather a latecomer, and that he knew it."
(PK)
Roe-Min Kok
o Paper presented at 1998 South Central Chapter Meeting of the American Musicological Society: "Is There a Chaconne in Brahms's Passacaglia?."
Rose Mauro
o Paper presented at 1998 Annual Meeting of the American Language Society: "'Around My Ears a Song of Old Resounds': Music, Myth, and Magic in Goethe's 'Parzenlied'."
o Paper presented at 1998 Annual Meeting of the American Society for Eighteenth-Century Studies: "The Triumph of Love: Goethe, Brahms, Gluck and the Maternal Voice."
o Paper presented at 1997 Annual Meeting of the American Musicological Society: "Of Men and Mountains: Brahms, Schubert, and the Alto Voice."
Michael Musgrave
o "A Brahms Reader." Yale University Press, 2001.
o "A German Requiem and Other Choral Works: Evidence Regarding Period Performance Practice" and "Early Piano Recordings of Brahms." In "Performing Brahms". Edited by Bernard D. Sherman and Michael Musgrave. Cambridge University Press, forthcoming.
o "Words for Music: The Songs for Solo Voice and Piano" and "The Years of Transition: Vienna 1863-75." In "The Cambridge Companion to Brahms". Edited by Michael Musgrave. Cambridge University Press, 1999.
o "Brahms and England." In "Brahms 2: Biographical, Documentary and Analytical Studies". Edited by Michael Musgrave. Cambridge University Press, 1997.
o "Brahms: A German Requiem." Cambridge University Press, 1996.
o Paper presented at 1999 Annual Meeting of the American Musicological Society: "The Cult of the Classical Adagio and Brahms's 'First Maturity'."
o Paper presented at 1997 Annual Meeting of the American Musicological Society: "Absolute Music as Universal Language in Turn-of-the-Century Vienna."
University of Nebraska Press
o "Flexible Tempo and Nuancing in Orchestral Music: Understanding Brahms's View of Interpretation in his Second Piano Concerto and Fourth Symphony." In "Performing Brahms". Edited by Bernard D. Sherman and Michael Musgrave. Cambridge University Press, forthcoming.
o "The Editor's Brahms." In "The Cambridge Companion to Brahms". Edited by Michael Musgrave. Cambridge University Press, 1999.
o "Brahms's 'Missa Canonica' and its Recomposition in his Motet 'Warum' Op. 74 no. 1." In "Brahms 2: Biographical, Documentary and Analytical Studies". Edited by Michael Musgrave. Cambridge University Press, 1997.
o Paper presented at 1995 Annual Meeting of the American Musicological Society: "Schumann's Presence in Brahms's Lieder."
o Paper presented at the 1995 Greater New York Chapter Meeting of the American Musicological Society: "Viennese Music Politics and the Reception of Brahms Lieder."
Sanna Pederson
o Paper presented at 1997 Annual Meeting of the American Musicological Society: "'Vanitas Vanitatum': Brahms, Modernity, and Melancholy."
o "Johannes Brahms: An Annotated Bibliography of the Literature from 1982-1996 with and Appendix on Brahms and the Internet". Scarecrow Press, Inc., 1998.
o Paper presented at the 1996 Pacific Northwest Chapter of the American Musicological Society: "Hunting For Hedgehogs on the Electronic Highway."
o "Johannes Brahms: An Annotated Bibliography of the Literature through 1982." Scarecrow Press, Inc., 1990.
Christopher Alan Reynolds
o Paper presented at 1995 Annual Meeting of the American Musicological Society: "Brahms and His Musical Seed-Corn: The Claims of (Un)consciousness."
Charles Rosen
o Paper presented at University of California, Santa Barbara, 8 April 1997: "Brahms: Awkwardness as Inspiration."
o "Proportions and Tempos in Brahms Performance: Contemporary Evidence." In "Performing Brahms". Edited by Bernard D. Sherman and Michael Musgrave. Cambridge University Press, forthcoming.
Peter H. Smith
o Paper presented at 1997 Annual Meeting of the American Musicological Society: "Brahms and the Shifting Barline: Metric Displacement and Formal Process in the Trios with Wind Instruments."
o Paper presented at 1995 Annual Meeting of the American Musicological Society: "Brahms and the Neapolitan Complex." Abstract
Arnold Whittal
o "Two of a Kind? Brahms's Op. 51 Finales." In "Performing Brahms". Edited by Bernard D. Sherman and Michael Musgrave. Cambridge University Press, forthcoming.
Christopher Wintle
o "The 'Sceptred Pall': Brahms's Progressive Harmony." In "Performing Brahms". Edited by Bernard D. Sherman and Michael Musgrave. Cambridge University Press, forthcoming.
Submissions and Information: Mary I. Ingraham. Prepared with the assistance of Thomas Quigley.
Last updated
September 2002